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Logo Design Techniques 3

ampersand
Example 5

 

PUNCHING

punching formula

Punching is the process illustrated in our visual equation above. It is a method of merging two shapes to create a single shape that has the characteristics of both. Designers use this technique to simplify ideas into a single form as one image has more impact and is easier to remember than two.

We have used the punching technique here to adapt the '&' symbol as a square tile which makes it easier to organize as a repeat pattern.

 

REPEAT PATTERNS

simple repeat

Spice up a simple repeat pattern by changing the colors of the tiles.

 

MIRRORED REPEATS

reflections

This symmetrical arrangement of reflected images, a composition technique that goes back hundreds of years, creates an old fashioned crest design.

 

AN ASYMMETRICAL ARRANGEMENT

asymmetry

At first glance, this asymmetrical arrangement looks random. On closer inspection you can see that it is carefully arranged so that each shape overlaps the next at a key points in the design.

 

LESS IS OFTEN MORE

basic logo

Repeating an image sometimes weakens its impact as it gets lost in the complexity of a pattern. An image often has a stronger identity on its own.

 

COMBINING IMAGE AND TYPE

Writers and Critics logo

The '&' sign is a printing symbol and an ideal image for our publisher's logo: 'Writers' & 'Critics'. The simple addition of some appropriate typography completes the design.

'Edwardian Script', an elegant calligraphic font, was chosen for 'Writers'. This stylish black typeface illustrates the crafts of writing and printing.

'Jokerman', an awkward novelty font, was chosen for 'Critics'. Its angry red form bristles with rage as it impertinently jumps onto the design.

The square green '&' symbol creates a neutral zone between these two adversaries.

The style, shape, colors and arrangement of this logo all combine to evoke the complex nature of the publishing industry.

 

 

question symbol
Example 6

 

NOT EVERY IDEA WORKS

questions 1

A visual curiosity is a must for any designer. You must try to understand the possibilities that exist in any image you use. In the design above, the natural interlocking qualities of our question mark have been explored to create an interesting image but no obvious conclusion has been reached. Not every idea you develop leads to a design solution but each adds to your general knowlege of design and becomes part of the bank of ideas that you may draw upon for future projects.

 

GOOD DESIGN IS OFTEN A NATURAL SOLUTION

questions 2

Rotating an image round a point provides a natural solution to the design for a CD in a computer quiz game.

 

LOOK AT A PROBLEM FROM ALL SIDES

questions 3

By examining a problem from different points of view we can find the most natural path to a solution.

 

THE ANSWER DEPENDS ON THE QUESTION

questions 4

Designers must ask themselves searching questions about what they are trying to do. Intelligent questions give you informed answers - "It is not the answer that enlightens, but the question", Eugene Ionesco.

 

THINK OUTSIDE THE BOX

think outside the box 1

This 'punched' image suggests another approach to developing ideas: 'think outside the box'. It just needs a little typographic help to improve the dialogue between the visual to the verbal.

 

TEXT IS A CREATIVE TOOL

think outside the box 2

The text in this design is broken up into sections to link the visual and verbal communication of the image. Although, in Western society, we read from left to right and top to bottom, you can take the odd liberty with typography for graphic design purposes:

  • 'think' forms the missing curve from the question mark and together they emphasise that part of the idea.
  • 'outside' is placed physically outside the box to stress its meaning.
  • 'the box' takes its natural position inside the box, but on a smaller scale. This helps with the order in which we read the message as we tend to read the larger words first.

 

COLOR AS A COMPOSITIONAL TOOL

think outside the box 3

Red and white are used in a counterchange that unites the image and its typography. Red strengthens the link between 'think' and 'outside' to ensure that they are read first while 'the box', in a contrasting white, completes the statement.

 

Logo Design Techniques

In this lesson we use the images below to demonstrate a range of composition techniques that are helpful in developing ideas for logo designs.

Once you have studied these examples you can use our free Image Resources to adapt what you have learned to create your own logo ideas.

Click on the images below to see how they are developed into ideas for logo designs.

 

 
Logo Design Techniques Example 1
Logo Design Techniques Example 2
Logo Design Techniques Example 3
 
 
Logo Design Techniques Example 4
Logo Design Techniques Example 5
ILogo Design Techniques Example 6
 
 
ILogo Design Techniques Example 7
Logo Design Techniques Example 9
Logo Design Techniques Example 8
 
 
extra symbol
extra symbol
 

 

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