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Perspective Drawing 16 - The use of a Low Eye Level in composing a picture

PERSPECTIVE DRAWING 16

A Low Eye Level

Using a low eye level in perspective drawing creates the space for a large area of sky.

The sky, therefore, becomes a major influence on the scale, tone, colour and mood of the picture.

It can be used to dramatic effect in different ways.

Scale: By lowering the viewpoint, you emphasise the height and power of objects in the foreground. This has the effect of making the viewer feel small.

Tone and Colour: As the sky is the main source of light in a landscape, it sets the key for the tone and colour of the picture.

Tone and colour are the two visual elements which combine to create the mood of the picture.

By varying the contrast or harmony of tones, we can create a dramatic or calm atmosphere.

By varying the colours we can control the strength of its emotional impact. For example, bright colours create a fresh and cheerful atmosphere, while dark colours convey a sense of doom and gloom.

Using a low eye level effectively increases the area of sky and amplifies these effects.

Mood: the illustrations below demonstrate the effects of different skies on the mood of our landscape.

 

a sunny day

A Sunny Day

 

a dramatic sunset

A Dramatic Sunset

 

after the storm

After The Storm

 

a starry night

A Starry Night

 

FAMOUS ARTWORKS
THAT USE A LOW EYE LEVEL

 

Stonehenge by John Constable

John Constable (1776-1837)

'Stonehenge, Wiltshire' (1836)
V&A Museum, London

Constable uses a low eye level to make space for the dramatic sky whose energetic brushwork injects life into what otherwise would be a silent and still image.

 

 

The Fighting Temeraire by Joseph M W Turner

Joseph M W Turner (1775-1851)

'The Fighting Temeraire' (1838)
National Gallery, London

As well as creating a spectacularly radiant sky with his setting sun, Turner also uses the low eye level to emphasise the height of the ghostly ship, even although it is still some distance away.

 

 

The Great Wave off Kanagawa by Hokusai

Katsushika Hokusai (1760-1849

The Great Wave off Kanagawa (1823-29)
36 Views of Mount Fuji

In this Hokusai woodblock print, from the series '36 Views of Mount Fuji', a low eye level is used to emphasise the colossal height and power of the huge wave which seems ready to engulf Mount Fuji itself.

 

 

Starry Night by Vincent Van Gogh

Vincent Van Gogh (1853-1890)

'Starry Night' (1889)
Museum of Modern Art, New York

In this Van Gogh painting, there is direct link between the rhythms of the rolling landscape and the swirling power of the heavens above. The picture uses the vast area of sky, created by the use of a low eye level, to convey the turbulent energy of the universe from which the landscape draws its sustenance.

You can read a more detailed evaluation of 'Starry Night' on the next page.

 

 

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