Artists
who use geometric structures as the compositional framework
for their pictures often produce an abstract series of images
based on the same arrangement. These variations on a theme
explore the effects of different visual elements upon the
image.
In
the 'Rainbox' print above, by John mac Taggart, the underlying
perspective drawing is a framework for the exploration of
the transparent and reflective qualities of colour.
(mouse
over the image above to see perspective drawing)
Some
further developments of the series are illustrated below:
Development
1
This
development uses a series of graduated colours across the
spectrum which contrast and harmonise as they weave across
the design.
Development
2
This
development uses graduating tones of opposite colours whose
contrast creates a pulse of energy in the heart of the design.
Development
3
This
development uses narrow black and white stripes which follow
the forms of the cuboids to create a dazzling op art pattern
across the design.
Development
4
This
development
uses broad stripes which negate the forms of the cuboids.
The
red base is used as a contrasting element which defines
the outline of the background.
Development
5

This development uses the refractive distortion of shape
and colour to create a liquid surface and suggest a depth
beneath that surface.
Whether
perspective is used to create abstract or representational
images, and although its limitations have been brought into
question by several artistic movements in the 20th century,
it is still the most powerful visualising device in the
artist's toolbox. |