Drawing the Mouth - Step 1
Begin by marking the width of the mouth
- We start simply by marking the corners of the mouth on the paper with a charcoal pencil.
You can find out more about drawing the basic proportions of a head and the position of its features at the following pages on our site:
- Proportions of a Head
- The key measurements to make when drawing a portrait.
Drawing the Mouth - Step 2
Lightly draw the shapes of the mouth
- Now we draw the shape of the line between the lips. This is a very important line as its shape is unique to every person and will communicate some of their mood and personality.
- We follow this by outlining the upper and lower lips with soft broken lines as we don't want to separate them too much from the surrounding skin. The lips, after all, are part of the face and not detached from it.
Drawing the Mouth - Step 3
Establish the basic tones of the mouth
- Using a soft charcoal stick we lightly apply any areas of dark tone in and around the mouth.
- We then use a tortillon, a tissue or our finger to blend the strokes of charcoal into a unified tone.
Drawing the Mouth - Step 4
Modify and strengthen the tones of the mouth
- The upper lip is usually smaller, smoother and darker as slants inwards, shaded from the light which generally comes from above.
- The lower lip is usually fuller and more exposed to the light as it protrudes outwards. Its skin is also more wrinkled and compressed to accommodate expansion when we talk or smile.
Drawing the Mouth - Step 5
Balance the tones in and around the mouth
- Now we need
too look again at the skin around the mouth to adjust and balance its tones to blend with the lips.
Drawing the Mouth - Step 6
Pick out the highlights with white chalk
- Finally, we carefully pick out
the the highlights on the lips and surrounding skin with a sharpened stick of white chalk and re-emphasize the darker tones for more dramatic effect.
Charcoal Portraits Summary:
Drawing the Mouth
- In our illustration above you can see how our charcoal and chalk drawing is built up in a series of layers that gradually refine the line, tone and texture of the image to create a convincing representation of the mouth.